VINYL 12" / S

Origin: Cologne (Germany)

Genre: Blackened Hardcore

FFO: Lord Mantis, All Pigs Must Die, Cult Leader, Disfear, Converge, God Mother ...

WEB: facebook •  bandcamp

limited edition of only 350 red copies on 180g vinyl.

comes with a heavy cover, insert with lyrics and liner notes and bandcamp download code of the entire album.

SERPENT EATER know exactly who they are and what they are doing on 'Vanitas'. Opening with a stomping black metal crusher of a riff overlaid with cackling screams and ripping double kicks, this is blackened crust at it's most operatic and metallic.

The production and performances here are supremely polished and well rehearsed, there isn't so much as a squeak of feedback that feels out of place.

Soundwise SERPENT EATER lean heavily on the black metal side, with rocking black'n'roll sections interspersed with huge sounding blasts and absolutely punishing double kick drums.

Their riffs are certainly serpentine as well, meandering around and over the drums like the coils of a resting python, springing to life for moments of attack before coiling back in on themselves.

Vocally they range from the head tilted back howling screams of black metal to almost guttural death growls, this is used almost instrumentally to add dynamics to their compositions.

This is a professional and expertly performed and produced release that sees SERPENT EATER sounding like a true venue destroyer, certainly a band at the very top of their game and worth catching!      

Members:

Filippo Colapinto – Schlagzeug             

Sebastian Orlitz – Gitarre             

Gunnar Ronge – Gesang             

Sascha Tawo -  Bass             

Dirk Weißenfels - Gitarre

Coming in a nice Gatefold Sleeve, on black, turquoise and blue 180g heavy weight vinyl!

Dutch nefarious noisemakers SUFFERING QUOTA are releasing their sophomore album... titled "Life In Disgust" through Loner Cult Records, Dawnbreed records, Mono Caníbal and 7DegreesRecords on vinyl and on cassette through Tartarus Records. 

The release contains an expansion on their blistering grindcore sound, seeking influences beyond and creating a rattling, crushing force that will not only go beyond the beaten path, but deconstruct it all the way through. 

SUFFERING QUOTA is a grindcore band from Groningen, The Netherlands, mixing elements of crust and death metal into their sound. Through a few line-up changes on bass and vocals the band is back with a more eclectic sound, yet they managed to remain a solid live act through the years. 

With this new lineup they released a split with My Minds Mine in 2017 and are ready to drop their next effort, the sophomore album "Life in Disgust" and crush stages everywhere. 

There will be no warning, there will only be damage.

Line-up: 

Vocals: Gerald Timmermans 

Guitar: René Beukers 

Bass and vocals: Stiff Marron 

Drums: Martin Kah 

Guest vocals on "Fear (Of History Repeating)" by Jonathan Edwards of Teethgrinder. 

All songs written by Suffering Quota. 

All lyrics by Gerald, except "Fear (Of History Repeating)", by Gerald and Jonathan, and "Inferiority Complex" by Richard Postma. 

Artwork by Wokkel 

Layout by Michel Jonker 

Recorded, Mixed and Mastered by Jörg Uken at Soundlodge Studio

SANDOKHAN is two guys playing insanely fast Grindcore the old school way. This is the first recording of this band, whose members play in some other grind-bands that are quite known in the genre. Sometimes they slow down, playing some neat blastbeat, just to regain the high-speed again. And yet you get the impression of some melody (!) and recognition value within the 13 songs that they finish in 7 minutes! ROOOARR!!!

KRUPSKAYA from the UK are already well-known in the Grindcore-scene. After one full length CD, several 7”es and split releases with bands such as Kill a Celebrity, Trendy Bastard , Black Sister and others they again impress with a very unique style of extreme music. The riffing reaches from ultra fast shredding to noisy interludes with dissonant melodies that never lack of the right portion groove. Supported by a drummer who truly flips over himself and a voice screaming so intensely and fierce, KRUPSKAYA’s music stands out. One of the best and most innovative Grindcore-bands of our time. AMEN!

A colossal Sludge / Doom / Metal trio, killer riffs and oppressive funeral ambient, hails from Santiago - Chile since 2003!

SANGRIA - Agnosis LP will be out in February 2015!

- 180g Vinyl
- 300g cardboard cover
- 300g inlay
limited to 500 copies!

THE SLUDGELORD:
"...Hunt this album down, get yourself a copy and embrace
the darkness, as SANGRIA are the of new Dark Overload South American
Doom/ Sludge Metal scene. Agnosis is a must-have album
if you like all things dark and pitch black."

DOOMANTIA:
"...Agnosis is a treatise on catastrophobic and funeral
Sludge / Doom-Death built up via slow-paced, crushingly
downtuned and distorted riffs, bleak atmospheres and abyssal
vocals. Something appealing for those who are into bands like
Corrupted, Thou, Moloch, Yob, Conan, Fuoco Fatuo, Disembowelment,
Shadow ot the Torturer, Whitehorse or Funeral Moth."

Here is the first full length album from this band that comes from Athens/Patra! Hardcore/Punk with Greek Lyrics!

Limited to 300 copies!

The main influence on this album was to go back to where Saviours started – Sabbath, Maiden, Motorhead, Thin Lizzy… The whole record is a trek through Earth’s demise which everyone contributes to, oblivious or not. It’s a procession toward death. The world has gone insane. Humans have become apathetic, greedy, self-centered, over-medicated, delusional parasites in a filthy, drained and deflated world. It’s hopeless now, too far gone. Now we wait. That’s what this record is about. Earth’s possession and death’s procession.

Sweden's Sayyadina seamlessly mix of grind and hardcore, playing 21 tracks at blast-beat speed, no time for the weakshit, keeping everything tight and clean sounding, and building upon the foundation laid by bands like Terrorizer and Nasum. (US-Import)

New album from this Michigan Grindcore band. Formed in 2009 Shit Life was put together by Zach and Chris during a period of inactivity with their black metal band Enochian. The band has released a number of splits, and a LP in 2017. 30+ minutes of hyper speed, maniacal Midwest Grindcore, the potent hybrid of death metal and hardcore punk that emerged in the 1980s with bands like Repulsion and Napalm Death, incl. Black Breath (Repulsion Cover) and Bad Vibrations (Razor Cover), limited to 300 copies.

 HARDCORE/METAL. SHITSHIFTER, the German trio is no slouch when it comes to aggressive tunes. "pyre" is kind of like a "best of" when it comes to their own sound. Every cut of every extreme genre they incorporate is done excellently. Their hardcore, grindcore, crust and death-metal elements are an explosive caustic cocktail. Clocking in at just 25min., "pyre", the vinyl debut by SHITSHIFTER is nothing short of awesome. Every one of the album's 9 tracks will pummel into you unrelentingly - think of a train with no brakes. From grimy hardcore riffage that seamlessly transitions into pure grind-metal madness - furious blast beats with a deadly array of bestial power-violence-esque riffs, the brutal, malevolent and bleak tone of "pyre" waste no time beating the listener to a shitty pulp. The longer/slower tracks on "pyre" delve deeper into the murky recesses of SHITSHIFTER's sound. On these particular tracks the band craft sludgy, plodding, towering riffs that atomize with each note. In addition to their volatility, noisy and chaotic elements also plays an important role in these tracks. Those in need of a outstanding, aggressive fix are going to get that through and through. "pyre" makes curious what the future holds for SHITSHIFTER. These guys got the chemistry and made something that will snap some necks. The record is so simple to love and if you have ever been angry at all, you will love the rage they offer. If you’re a fan of NAILS, TRAP THEM or BEHEMOTH as well as TODAY IS THE DAY or UNSANE. Vinyl includes a digital download card. You need to check out SHITSHIFTER right away. Spin "pyre" - spin this monster!!

2nd LP of this canadian horde.

An absurd mix of PHSYCeDELIC japanese NoisePunk, Industrial, GBH, Mad Max und Super Mario Brothers. Side one contains Confuse / Disorder-style Noisecore, Side B dark, classic Industrial Noise like early SPK or mid-70's THROBBING GRISTLE.

400 copies made, 100 of them blue vinyl.

American cyborg steel warrior!

https://www.facebook.com/pages/Schizophasia/170530169701858

Schönesende is the solo project of Matthew Bunkell, known for his work with Light Bearer and Momentum. With the exception of Jack Riddleston’s vocals on the song »Rise, Moloch«, spoken words by Joanne and Gary Bunkell and a the voice of postman-turned-poet Charles Bukowski and others, Matthew has written and recorded his debut album »Schönesende« all by himself.

The endeavour, started in 2012, marks Matthew’s exploration of philosophical as well as psychological themes. Over the course of almost 70 minutes, »Schönesende« does not only musically explore different facets of Black Metal, Folk and abstract experimental music, but also immerses its listeners in a multi-disciplinary philosophical discourse revolving around questions about the human condition. Matthew, who in the near future intends to publish a collection of short stories and a novel which tie into the themes of the Schönesende project, cites authors such as Ernest Becker, Allen Ginsberg, F. Scott Fitzgerald, Ernest Hemingway, John Fante and Bukowski as influences for his art. Becker’s work – in which the cultural anthropologist postulates that the denial of one’s death or mortality is a driving force for human behaviour of all types – resonated so profoundly with Matthew that he decided to explore this topic further with Schönesende.  

Just like Schönesende’s music open-minded and diversified approach to Black Metal and its playful interaction with other genres, Matthew’s lyrics transcend simplistic dualistic concepts. »No one perpetrates evilness for the sake of evil. We live in an existence of subjective truths which we will never truly universally share and are trying to make sense of«, Matthew says in regards to the considerations which have informed Schönesende. He is free to admit that while he naturally opposes any form of oppression, he recognises that we are all »attempting to create ideological structures that benefit us and most regularly rob others of their basic human rights.«

»Schönesende« is as much a critical evaluation of ideological constructs – ranging from religion to capitalism and so forth – empathetically approached from the perspective of those who fall prey to them as it is a skilfully executed artistic work of art in which Matthew’s talents as both a musician and a writer are tied together seamlessly.

After "Market Yourself" (2004) and "Attack" (2007), SEE YOU IN HELL
from Brno, Czech Republic, come up with their third 12“ LP, full with
8 tracks of raw and furious hardcore/punk with massive gang-choruses –
perhaps the most straightforward material the band has offered during
the 13 years of their career, but this is left to the listeners to
judge...

Recorded at Hellsound studio in Čestice, Czech Republic, choruses
screamed out by Iny (GRIDE) and Zrout (LAHAR), cover painted by Wes
Samples, and sound mastered by Jack Control at his Enormous Door cave.

150 copies come out as a limited hand-numbered pressing, packed in a
cardboard box with silk-screen print, containing a coloured vinyl,
DVDr from SEE YOU IN HELL’s Japanese tour in 2010, sticker and button.
Both regular and limited copies feature a coloured OBI strip.


-Gatefold sleeve-

"O Nas is a top quality hardore. There are 4 tracks and everything about them just clicks. The ep flows well from start to finish. The band plays tought ass hadcore with a crossover/thrash vibe but they try to put their stamp on it so it’s not just a mixtape of different influences. Some of the riffs sound like they could be lifted from Chaos AD, while some tracks are straight up hardcore. The music do not get stale and it’s amazing how many creative ways they came up with to make this stuff above average without losing aggression and focus. Not a moment of this feels too long or repetitive. On top of it all, fertile vocals deliver the message of strength and resilience without sounding pretentious. If you don’t mind this being sung in Polish give it a try." - Hardboiled

atmospheric, melodic black metal from berlin

all copies come on black vinyl, with a silkscreened cover

With their new excellent opus, screamo infused post black metallers SELVA cement an identity separate from most stuff you've heard in this God-forsaken genre

mastered by jack shirley

ffo: Celeste, Hexis, Alcest, Lantlòs, Lifelover and Deafheaven

under: diy metal, post black, metal atmospheric, black metal, hardcore, post-hardcore, post-rock, punk, screamo

 ['selvə] is an Italian post black/screamo act founded in late 2013 by Tommy (drums), Gino (bass/voice) and Ale (guitar/voice) who have previously been in other different hardcore bands in northern Italy.
Each member’s slightly different background helped to create their unique sound that goes from post-hardcore and screamo to black and post metal to instrumental post rock.

A long-awaited single work that becomes a shake for about nine years of POWER VIOLENCE that keeps acting around Shizuoka "SENSELESS APOCALYPSE" confuses the appearance abstrusity and acceleration by 2nd album CD, and is one mass why 25 music groups that end momentarily. A solid whether go mad and rolled it up and surreal, clean one full-color booklet because of the excitement velocity sound of the hawfinch and the rapture dancing wildly the taste to POWER VIOLENCE the NO NEW YORK ream ..piece.. full page. Shizuoka city powerviolence SENSELESS APOCALYPSE's long awaited 2nd album on CD after an interval of 9 years! Mixed with difficulty of constitute and their own acceleration in short number. All 25 songs go faster like a strange mass of musical suite and end at a moment. Think of No New York that taking the fury and madness of power violence and play Mad, solid, strange and pure fast hardcore!

https://myspace.com/sxax

CANADA IMPORT

SEPUTUS is a long-running extreme metal collaboration between instrumentalist Steve Schwegler and vocalist Doug Moore, both currently of New York experimental metal act PYRRHON. MAN DOES NOT GIVE, their first officially-released LP, is a terrifying plunge into the depths of dissonant '90s-era American death metal, tempered by black metal melancholia and braced by elements of grind, thrash, and industrial noise. As carefully textured as it is ferociously direct, MAN DOES NOT GIVE offers a unique and vivid reflection of the ugliness and sorrow that pervade modern life.

SERPENT EATER, based out of Cologne, Germany, has been plodding forward with its current lineup since early 2012. With members hailing from HAMMERHEAD (Ger), TUMULT (Ger), DASKRILL (Ger) and THROATS (UK), SERPENT EATER has been well rooted in the DIY Hardcore Punk scene for ages. Living on anger, SERPENT EATER is fueled, not dispirited, by life’s experiences and struggles. As such, the lyrical concepts employed in their work mainly focus on the weirdness and deformations of the psyche as well as the emotions of a violated mankind in modern society.
SERPENT EATER creates its signature dark sound to emphasize this lyrical approach by mixing elements of death and black metal to (post) hardcore, crust, heavy and dark 70s rock, and doom to create sludgy, heavy and somber atmospheres of despair and hopelessness infused with moments of calm, sadness and melodic doldrums – only to be interrupted by sudden outbursts of sheer fury.

brand-new tunes of Ostrava's fast brigade SHEEVAYOGA on a split w/wicked Leeds based surf-thrash (not metal) band DOG EGGS featuring members of Famine, Lugubrious Children, The Afternoon Gentlemen, etc ..  

SHIPWRECKS may have come across one or two post-rock aficionados already. Newly formed in 2014 out of various Cologne based projects, from the instrumental, independent and hardcore underground, things are really taking off since the release of their debut EP in 2015. With positive echoes across the scene and enthusiastic reviews on blogs as well as established print media, the four young men toured across Europe playing the enowned

Open Source and New Fall Festival, as well as supporting the Postrock grandeurs of Immanu El and Explosions In The Sky - a pretty remarkable performance backed by just one EP! Now, after two years of tuning, tweaking and polishing in the rehearsal room and studio, their self-titled debut album is going to be released by Sportklub Rotter Damm and Maniyax Records accompanied by a release tour in late fall. There are signs of an impending storm!

About two years after the fabulous debut ep of Shoyu Squad from Bielefeld, the four guys recorded 10 new songs to release their first LP called 'From Bad To Worse And Nine To Five' and I think the bombenalarm-reference is not accidentally... To me the new songs appear way darker than the tracks of the 7", less thrashlines, but more heavyness and more raggedness all along the line. I like Chainbreaker, I like Bombenalarm, I like Tragedy and I'm absolutly happy that 'From Bad To Worse...' is the first LP that is solely released by Rising Riot Records. And to mention the great B.... in this little text for a last time: We have even the cover 'Funtionstuechtig Deutsch' on this record!!

Siberian Hell Sounds and Convulsing - two of Australia’s finest in extreme music - come together for a split LP.
‘The Breath Of The Beast’ marks the moment when Siberian Hell Sounds transcended the sum of its parts, and emerged as a hypnotically heavy drone machine - more a cataclysmic force majeure than music. Sounding like the bastard child of elusive French powerhouses Deathspell Omega, the almighty Polish Kriegsmaschine and the cabal of nationless demons known as Hexis, Siberian Hell Sounds draw influence from clandestine corners of extreme music while never adhering to the tropes of any particular subgenre.

While the 7" with SomeCameRunning was more a fine piece of trashing fastcore, these new songs are way more powerful, and well, embittered and personal at the one hand and political and fierce at the other. Striking hard against patriotism and the common conservative filth, this band takes a stand. Some might call this some kind of modern hardcore but I hate these phrases and moreover this records moves beyond any lame hc-trends. All you bands and kids focusing on pure hardness without content, this one is against you.

 www.myspace.com/sidetrackedpunx

Fuel Of Death is the second LP by Sin Logica from Lucerne / Switzerland. The band has been around since ages and has released two singles and one LP so far. Now, Fuel Of Death – 12 songs, stomping hardcore/punk that never goes full speed ahead. The dirty rocking stuff has definitively influenced these people and the Motörhead shirt on the backcover makes a lot of sense. 

A trio of unassuming brothers from Cork via County Wexford, Síoraí Geimhreadh (which means "Eternal Winter" in Irish and is pronounced Sheery Geevra) are now over a decade into their obscure existence. Beginning as a black metal outfit, their current sound is informed by doom and noise rock, but beholden to their own experimental impulses rather than any genre norms. Siorai Geimhreadh's approach intentionally avoids specific genre definition or stylistic markers, instead embracing a sense of openness in their playing. While their music is heavy, intense and noisy, they never strictly follow any one way of playing or attempt to work within a specific style. Instead, they work to create a style of their own through a shared intuitive method. Recent releases see the band constantly dismantling and reassembling their sound. Their 2012 tape (which intentionally was never given a name) consists of two tracks of dense, freeform noise rock. Their 2015 album "Not A Room" (released on Fort Evil Fruit) works around a single repeated pattern, drifting out of structure in a departure from previous work, creating tension through extreme repetition, subtle mumbling synthesiser and an uncanny sparseness. "Sitting Patiently" acts as a counterpoint to "Not a Room". It is a return to the more visceral work of earlier releases, transformed through a focus on freeform methods of playing. "Sitting Patiently" is a single track spread over two sides of an LP. Side A is immediate and disorienting, with frenetic playing and a raw vocal delivery. The B side sees the track find a sense of tangible structure, which proceeds to slowly drift apart as it progresses. 

For fans of Fushitsusha, Sonic Youth, Khanate. 

Once again SIX REASONS TO KILL evolved their sound on 'Architects of Perfection', the latest effort of the Koblenz-based fivepiece. The new material again closes the gap between modern and extreme Death Metal, the bands very own Hardcore influence, some laid-back atmospheric sounds and a heavy flirt with electronica. Longtime friend and collaborator Kristian 'Kohle' Bonifer (Crematory, Agathodamion, Sieges Even) once again handled mixing duties and designed another heavy hitting masterpiece. This is the Vinyl-Version of 'Architects of Perfection'. Strictly Limited to 300 copies!

http://sixreasonstokill.de 

SIX REASONS TO KILL have the distinction of being insistent and consequent in what they're doing – without loosing sight of their target to play modern and aggressive Metal with a strong hardcore impact. In 2012 SIX REASONS TO KILL returned to the Kohlekeller-Studios again to record their fifth full-lengh album. The result is We Are Ghosts, is the most elaborated album of the Koblenz-based five piece.

We Are Ghosts is the essence of the bands music. 100% SIX REASONS TO KILL – but still an improvement. Songs like God Of The Dead or Inked Inside prove the unusual musical spectrum of the band. Dark and heavy influenced sounds, modern melodic Death Metal and some violent riff-shredding join forces on an album that keeps the attention of the listener without being a challenge. The lyrics of singer Lars Tekolf prove the bands consequent straight forward-attitude and try to convey another perspective on social topics.

The bands more Metal-influenced sound on We Are Ghosts was well received on a four week full European tour as support for NY-HC-legends Pro-Pain. With We Are Ghosts Six Reasons To Kill are ready to find a way into the hearts of every fan of brutal and melodic music.

 http://sixreasonstokill.de 

BLACK VINYL

Austrian grind band SIX-SCORE will release their stunning new album 'Lebensräume' on November 11th 2016. The band's seamless blend of d-beat, hardcore punk and metal makes for a stunning listen. 

After releasing their first full-length album 'Drudge', the band played shows both locally and in foreign countries, culminating in an appearance at the prestigious Obscene Extreme Festival in 2013.

Now in 2016, the band has catapulted itself to the forefront of the grind community with the upcoming release of 'Lebensräume' -

A masterpiece of modern grindcore that will stun fans of bands such as Human Cull, Nasum, Napalm Death, Pig Destroyer, Fuck the Facts and Rotten Sound.

heavy cover and beautiful vintage innersleeve,

both printed on the reverse side of the board.

comes with a bandcamp download code,

and limited patch while supplies last.

limited edition vinyl

229 blue

432 black

Both bands are from Austria and play grindcore for fans of NASUM, AFGRUND…..

Originally released in 2008 by the band themselves, "Primordial Dominion" is a 40+ minute trip of madness that definitely deserved a wider and massive distribution. Everlasting Spew Records is revamping this psychedelic slab of death infused metal with a new Slipcase CD version and Vinyl and Digital versions for the first time ever.
Skeleton Of God, based in Denver, Colorado, took form from the ashes of Hideous Corpse and helped forging Death Metal and Brutal Death Metal back in the 90s with their debut EP "Urine Garden" showing everybody that there were no boundaries in the genre. "Primordial Dominion" continues this way, a trip definitely without any kind of limitation, incorporating huge doses of psychedelia, mind bending doomish passages and severe attacks of grinding death metal.
The line-up saw the presence of Joel DiPietro (also in Exit-13, Satan's Bake Sale) who recently passed away at the age of 44.

10 tracks of raw Hellhammer inspired filth!
SKINCRAWLER exists to pay tribute to the origins of extreme music. A genuine appreciation for Hellhammer was a must for making a band like this see the light of day. After some lineup problems early on, this band will be continued as a solo project of Elektrokutioner (Decrepitaph, Procreant, Foreboding, Bastard Cross, Reeking Filth) with absolutely no musical variations from what has been done in the past.

www.myspace.com/skincrawler666

Sky:Lark! is a power trio truly worthy of the name. Their third LP is a healthily noisy post-hardcore racket, like Shotmaker, Fugazi, Karp, Hoover and the like, though they transcend their influences to make something all their own. Occasional blasts of sax abound to keep you on your toes. This is the heavy, twisty and weird, like the band members.

SuperFi / Boslevan / Records On Ribs Records

USA-IMPORT!

First album from Slow Death.

All music on A side and screen print on B side.

Cover is 3D and comes with 3D glasses...

Hailing from Connecticut and Boston, Slow Death is the new band from Randy Larsen, former bassist and singer for seminal noise rockers Cable and Empty Flowers, drummer Matt Spearin of Disapperer, and rounded out by guitarist Jeremy Medeiros and bass player Jesse Sherman.

Hate-Filled World is 8 songs, clocking in at around 18 minutes, and is a relentless aural assault. The mix of old punk and hardcore blended with some good old fashioned AMREP style noise rock is sure to catch the attention of heavy music fans young and old. Lyrically, with an obvious nod to old horror movies and serial killers, mixed with a dose of straight up depression and frustration, this is music that will take you on a ride to the darker side.

SLOWLY WE ROT was founded in the summer of 2013 by vocalist & guitarist Niels, who also played in Worms Feed and drummer Vic, followed by the bassist, Chris.

7 months later, unannounced and without stormy hypes or trailers they sent a very rough version of “Solitary Realm” out into the world. Soon after the band agreed with labels Skin & Bones Records from the UK and Dark Omen Records to a split release with Depravation on august 1st 2014, featuring two of their songs.

The impact of this small preview of their harsh, loud and grim sound lead to a bunch of shows and left people craving for more. The next chapter “Poverty of Existence” was written in only a matter of months, an EP that can only be defined as pure evil. Skin & Bones took the lead to release the tape version in february 2015, followed by a UK tour and a couple of release dates in the mainland.

As future plans developed and musical differences came up the band went through a line-up change. Vic was replaced by Ibn and Andy took over the 2nd guitar duties. Now, a few months later, Slowly We Rot is ready for the vinyl release of “Poverty of Existence” and to penetrate your eardrums again.

Finally released, this is the third and final album from Glasgow's post-rock / doom outfit. Recorded in rural Scotland by the band themselves, this is at times beautiful, at others totally crushing. Beautiful art by Glyn of Scrawled.

http://www.dextro.co.uk/snowblood

 Latest release of Crust Dogs from Hell: Social Chaos, 10 tracks plus 1 cover of Extreme Noise Terror. For those who like ENT, Disrupt...! Absolute noise from Brazil!

USA-IMPORT!

French noise rock trio SOFY MAJOR will unleash their long-awaited fourth full-length this January!

Titled Total Dump, the follow-up to 2015’s triumphant Waste LP was recorded and mixed by Dave Curran (Unsane, Big Business) at Black Box Studios, mastered by Carl Saff (Fu Manchu, Rosetta, KEN mode, Child Bite) at Saff Mastering and delivers eleven rocked out, Big-Muff-powered tracks of relentlessly raw, driving, melody. Fans of Unsane, Harvey Milk, The Jesus Lizard, Coliseum, and the like pay heed.

100 Gold

100 mustard yellow w/ baby blue splatter

100 half tan / half sea blue

Fanclub re-edition of this classic Split-LP

Repress, new vinyl cut for improved sound.



Catchy, heavy, speed metal as it should be.

They truly are the kids of rock ’n roll!

 The second release of these groovy German hardcore dudes. A bit more hardcore influenced than the first LP but still their unique brand, means a mix of heavy (yes, heavy!) rock, d-beat, blastbeats and, you guessed it, hardcore. The dark and depressive spirit is still around and gets garnished with corresponding post-screaming hardcore vocals. Zeroid, Alpinist or His Hero is Gone are names that get murmured when people hear Spitting Nails for the first time, some might even find a slight 90s Emo influence.

Maximum Rock’n’Roll:

Blackened post-hardcore out of Hamburg, Germany. Now, black metal-inspired post-hardcore might sound terrible to some (myself included) but the results here are actually not so bad. It’s as if they took all the evil antics out of black metal’s gritty harmonic dissidence and replaced it with some good old punk invective. Throw in some lurching build-ups, pummelling breakdowns and lyrics ripping up our capitalist excess and you’ve got a winner! 

The second release of these groovy German hardcore dudes. A bit more hardcore influenced than the first LP but still their unique brand, means a mix of heavy (yes, heavy!) rock, d-beat, blastbeats and, you guessed it, hardcore. The dark and depressive spirit is still around and gets garnished with corresponding post-screaming hardcore vocals. Zeroid, Alpinist or His Hero is Gone are names that get murmured when people hear Spitting Nails for the first time, some might even find a slight 90s Emo influence.

Maximum Rock’n’Roll: Blackened post-hardcore out of Hamburg, Germany. Now, black metal-inspired post-hardcore might sound terrible to some (myself included) but the results here are actually not so bad. It’s as if they took all the evil antics out of black metal’s gritty harmonic dissidence and replaced it with some good old punk invective. Throw in some lurching build-ups, pummelling breakdowns and lyrics ripping up our capitalist excess and you’ve got a winner! 

 Polish goregrind butchers are back with their 6th full length and brand new album “Grindcoholism”. Recorded at world famous Hertz Studio in Bialystok, Poland, “Grindcoholism” features 14 hyper fast, unrelenting grindcore songs filled with old school sound and fueled by gore approach. The Polish trio doesn’t fuck around and brings you one of their best releases to date. Once you hear it you will be addicted to grind and become die-hard Grindcoholic!!!

The vinyl edition comes on 180 gram heavy vinyl in fold out cover. limited to 241 handnumbered copies

Squash Bowels are back again with another album of guttural grindcore! Brutal beyond belief, but sprinkled with groove and memorability, Grindvirus is one tasty grind treat with plenty of gory panache. European release on Selfmadegod Records.

STANDING ON A FLOOR OF BODIES are a two-headed grind assault from Cliff Burton's home town performed by Mike (ex - thousandswilldie) & Bvnny Stitches. Sharp-as-fuck apocalyptic horror grind with absolutely no guitar on the entire recording. Equal parts bass / drums / noise / vocals. Featuring guest vocals by Pete Pontikoff (Benumb) and Feo Beruman (Man Among Wolves / Arise / Old Crow). This record will be the densest batch of brutal, digusting and ugly grindcore you've heard in a long time.

Single-sided LP with screen printed artwork on the back.

DIYLoad provides download codes with every LP.

Borders can be mental, existing only in our heads, and yet feel as powerful as though they were made of barbed wire and guarded with guns. And then there are the borders that are very much physical, which can have quite visceral emotional ramifications. The furious, Italian, hardcore act STORM{O} is back in 2019 with the new album Finis Terrae out on October 4th via Moment Of Collapse records.

If the previous record Ere was an all-out cross section of everyday life presented with audacious, pained rage, Finis Terrae takes on the nonsensical reality of our society. “We're constantly looking for borders, creating boundaries where there are none. Just as the ancients established the finis terrae, or the end of the known world where there was nothing left for them to conquer, so do we exclude the existence of what we cannot understand, control or dominate,” explains singer Luca Rocco. “Instead of building walls against the unknown, this album works to push ourselves through collapsing borders; there's no end of the world, just as there does not exist an individual ‘self’ detached from the environment and all other living beings. We can choose to be the end of the world or to push ourselves through the unknown.”

In a world where hope is vanishing, for STORM{O}, writing this record was almost a necessity, a required act. “In this album, you can see a growing urgency of expression, and Finis Terrae is more direct then Ere. It was written and recorded in less than a year between long tours and periods on the road, and the clear necessity of saying something surfaces throughout the whole album.”

Working with Soft Moon’s producer and sound engineer Maurizio Baggio at La Distilleria in Bassano del Grappa (Italy) helped the band find a more cohesive and mature sound. “After the release of Ere, we played over a hundred of shows,” bassist Federico Trimeri says. “The live experience has always been our distinguishing mark that defines us as a band. During the recording sessions we tried to recreate the same sound of our shows.”

They play a unique mixture of pulverizing hardcore guided by fast, aggressive drumming. Wailing vocals in Italian are intertwined with anxious spoken words, angry shouts and desperate screams. The furious song structures lead to brilliant set breaks that mark the only spots to gasp for breath. The guitars act within the frame of dynamic songwriting that leaves space for a couple of uplifting moments, while the bass adds a discreet noise-rock edge.

The first single, “Tempi Morti,” perfectly represents the band’s sound. “This is the first song we wrote and it can be seen as a starting point to the album. It speaks about a static daily routine filled with meaningless and unfair relationships. From there, we start looking at the boundaries we have drawn around us, recognizing them in the structure of the house we live in, the country we crossed and the cities we walk through.”

Over 12 songs that combine the fury and speed of old-school hardcore with the gloomiest melodies of post-hardcore, STORM{O} delivers another album that is a testament to the underground music scene.

32 minutes and 32 seconds, 15 tracks based on the late 90′s post-hardcore, soiled by dark crust riffs and renewed by an emotionally intensive mood, relentlessly lacerated by a native-language screaming which takes its roots from the Italian hardcore of the 80′s.
Recorded live in the studio in 6 days and mixed at Studio 73 by Riccardo Pasini (THE SECRET, EPHEL DUATH) and mastered by Alan Douches (CONVERGE, ORCHID) at West West Side Music, New York, the full length album will be released in gatefold 12” format, with artwork by Luca Rento.

 COVERS HAVE SPINE BREAKS!!! --> CHEAPO 

Storm of Sedition is a crust/black metal band from British Columbia, Canada featuring members of Iskra and Leper, formed in 2011. This is their awesome fresh third album. Following the opening gambit of their 2014 "s/t" full-length with the scythe sharp blast of blackened crust that was 2016’s "Decivilize", they’ve managed a soundtrack befitting the slit-throat death throes of fascists and deconstruction itself. Sharing members with genre titans Iskra, the full range of their genre-flaying powers is on display throughout the long player. Drum engineering by Jesse Gander at Rain City Recorders. Guitars, bass, and vocals recorded at Circle A Studios. Mixed at Circle A Studios. Mastered at Audiosiege by Brad Boatright (From Ashes Rise).

This is Schwarzenegger era hardcore. After tons of releases with bands like Knifethruhead, Unholy Grave, Capitalist Casualties, Disrupt...etc...etc this female fronted thrash attack from the dirty streets of Fresno, Ca have Finally recorded their 2nd LP. What you get on this unholy piece of wax are 11 newtrax of snotty thrash/punk. If you like short, fast & loud then this is right up your alley

Debut full length of the new Polish band risen from the ashes of WILD BITCHES and with two current members of THE DEAD GOATS. This 30-minute journey brings 9 songs of powerful and catchy d-beat/crustpunk full of melody and hardcore/punk energy. “Destination Nowhere” will definitely appeal to all fans of DISFEAR, WOLFBRIGADE, GENOCIDE SS, VICTIMS, HELLSHOCK, MARTYRDOD.

Blackend Powerviolence from Tokyo, JAPAN. 10 Brand new Studio Trax Recorded & Mixed Between 2013~2015. These Japanese masterminds play a revolutionary combination of devastating drone/funeral doom in the vein of Ahab or Corrupted interspersed with short, rapid outbursts of Powerviolence/japanese Hardcore fury akin to early Crossed Out. Total 30 mins of blasting Sludge Violence Smash Your Ears!

SUFFERING MIND has been explosive and vocal in the grind scene. Putting fourth a very unqiue and straight-forward blast set, that is punishing as well as being very upfront in their messages. They combine a assualting 'DIY' grindcore sound, blaring over punk and crust tones. They bring to mind sounds of Excruciating Terror and pure grindcore acts. This LP combines their splits with Scourge Schematic and Asshammer. It is presented on a 1 sided LP, with a etching on the B side. Packaged with a cover/insert sheet and a picture LP sleeve, in a thick pvc sleeve.

Following up multiple Eps and splits, Poland's SUFFERING MIND drop their first full length of full-throttle, head crushing grindcore. Completely unrelenting blasting that only slows down for a few measures throughout the entire LP. If INSECT WARFARE and MAGRUDERGRIND got into a head-on collision. Limited to 500 so act fast.

This long awaited split was announced 4 years ago - now it's time to put words into flesh. Well known unstopable grindcore machine Suffering Mind fuelled by DIY punk scene from Lublin city this time presents how devastaitng they are on live sets - who saw them at least once knows exactly what to expect from this wax - 14 pieces of unleashed hell! Recorded in Rostock's harbor thanks to awesome Andy of Wojczech and Stubnit's crew! And on the flip side grindcore crust massacre from Poland's Podkarpacie region with it's never released (till now) last recording session from 2008. In the past they released 2 tapes and shared splits with Agathocles, Disarm and Human Error. Here you can find 10 totally crushing brutal punk songs that can't be compared to their previous materials. Covers of Shitlickers' "Sprackta Snutskallara" and Stradoom Terror's "Serial Killer" included. Members of H.407 can be found nowadays in S.A.T.A.N, Hellisheaven and Zaraza Production. 525 copies of heavy 180g magenta transparent vinyl packed in old school crusty way - skulls/bones & black/white style.

http://www.myspace.com/sufferingmind
http://www.myspace.com/h407

Split between italian powerviolence Suicide Force and american powerviolence Deathrun, artwork by Officina Infernale

ffo: infest, spazz, lack of interest, double me, onasnop, failure

under: metal, grind, hc, noise, powerviolence, fastcore, trashcore

Beyond black metal bleakness, post-metal ingenuity and post-punk numbness, incorporating Koreisch's cross-genre eclecticism and Godflesh's nihilistic aura, combining Shinning's catatonic chord pounding, Khanate's crawling gloom and Discordance Axis' ear crushing sonic blasts - SUN OF NOTHING manage to create a sonic identity that's both personal and radical. Surpassing any easy categorization, they create their unquestionably greatest and richest release to date, adding the peak to an imaginary triptych - a memorial dedicated to the sonic violence and the inner darkness.

this album is not to be taken lightly. Underestimate its power, approach it with inadeguate preparation, and you will be fucking destroyed by its immeasurable violence and sheer tonnage. SVFFER have brought to you a work of incendiary aggression that literally feeds off of violence. Comparable in intensity to bands like Alpinist (from which the band descends), Baptists, Tempest, Centuries, Oathbreaker, Glasses, Vestiges, Torch Runner and the such, SVFFER are authors of metallic and embittered hardcore punk which knows no boundaries or limits in its reach to annihilate the listener, and which presents us with a boundless hunger to reduce to ash anything which dares to stand in their path. Coming once again as a 12″ vinyl LP from Vendetta Records, this monstrous hardcore punk album is destined to set a new bar in sonic violence and redefine the concept of aggression in aural form. ( cvlt nation )

 First of all a note for all the people needing a breather while listening to records: that will only occure while flipping the record. Always brutal, always heavy, very fast but nevertheless playful. SVFFER from Bielefeld and Münster, Germany, are continuing with their full-length "lies we live" where the promising self-titled 7" left off. For these 13 songs the genre "emo-grind-motorcycle-pop-violence" should be invented, because every other description of this thunder storm might fail. It combines violent beats, intense tunes and screaming 'til the lungs bleed. This record is catchy and stays in the mind for quite a while and at the same time it is never dull. It is like an invitation to listen devoutly, swaying rhythmically or moshing angrily through the bedroom. Concerning the hard facts: colored vinyl comes with an inside-out cover (artworks done by VBRRTRD ), a lyric sheet, a poster and a digital download card